1999–2007: Back to the top
The album was distinguished by its classic sound, progressive melodic structures and dynamics reminiscent of the band's classic albums from their prime time of the '80s.
The aforementioned single reached the Top 10 of the British charts, and the album was peaked at number 7 in Great Britain and 39 in the United States, also reaching the top of bestsellers in many countries, bringing Iron Maiden many gold and platinum certifications, also in Poland.
On June 20 and 21, 2000, the band gave two sold-out concerts in Poland (Torwar and Spodek), and for the first time the band also performed in Estonia and Ukraine, presenting a spectacular show and attracting from a dozen to several dozen thousand people to subsequent stops of the route. Iron Maiden's return to the big stages became a fact, and the group's popularity began to grow significantly from then on.
The culmination of
the concert journeys was a tour of South American stadiums and a
performance as the stars of the Brazilian Rock In Rio Festival 2001 on
January 19, 2001 in front of at least 250,000 people. The
band's concert in Santiago de Chile attracted record attendance ofover 50,000 people. In total, the route was seen by approximately 3.2
million viewers. In February 2001, the band received two Grammy nominations, and in the same year they were also honored with the prestigious Ivor Novello Awards, awarded for outstanding achievements in the international arena.
The album The Number of the Beast was also immortalized in the "Classic Albums" documentary series, produced by Eagle Vision to honor the creators of the most important music albums.
In March 2002, a live album and DVD entitled Rock in Rio were released, containing a recording of the aforementioned concert from Rio de Janeiro. The DVD reached the top of bestseller lists around the world, bringing the group a number of gold and platinum records and awards
from music critics, it was also the first rock DVD awarded a gold disc
in Poland.
The year 2002 was spent by the musicians collecting new ideas, and
their concert activity came down to organizing a series of three
concerts at Brixton Academy, the proceeds of which were donated to the Clive Aid foundation,
collecting funds necessary to organize help for the group's former
drummer, Clive Burr, suffering from multiple sclerosis.
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